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OPAL
EDUCATION
Contents:
This is only the
beginning of our educational material on OPAL. Please check back
from time to time as this area (as well as our product area) will
continue to expand. We will continue to add more photos, providing
better visual representation of this educational material. This is a
working document so expect regular updates as we are
able!
HOW TO SPOT A
FAKE!
The single most significant
problem in the gemstone industry today is treated, simulated or
synthetic gemstones. Specifically, stones being sold without
disclosure as to their synthetic or simulated composition.
Unfortunately, this is also true in the OPAL industry. There are
hundreds of unscrupulous persons out there that want to take a pile
of your money and give you a fake in exchange.
(Please note that NO
synthetic opal is found on the House of Opal website, opalhouse.com.
We made the decision not to sell that type of material
here to avoid ANY confusion. ALL the opal on this site is
Australian opal, Mexican opal or as otherwise specified. Australia
provides over 90% of the natural/authentic opal for the
world.)
For example, if you look at many
of the sterling silver and even 14K & 18K gold rings, pendants
and earrings on eBay.com & other sites on the Internet, you will
see many, many of them match "perfectly". Although Kabana does use
some natural opal, any of the "Kabana" styled "clone" pieces are
made from synthetic or fake opal. They have the same pattern
(actually there are two patterns) and are divided into shades of
white/clear, blue (called "black opal"), green (also called "black
opal") and even red.
To find two opals that "match"
(they won't be identical even if they came from the same piece
of rough) is truly a RARE thing, although it does happen
occasionally. What would a pair of these matching stones cost? Well,
if they are black opals - say a pair of 7x5mm ovals, they could cost
anywhere from $200 per carat to $5000 per carat. Ok, so how much is
that? They would weigh approximately 0.5 carats each, for an
approximate of 1 carat total, meaning $200~$5000.00.
That said, if you find a seller
offering a MATCHED PAIR of Black Opal stones for
say, under a hundred bucks, you can pretty much count of them being
fake. What do I mean by fake? These stones, essentially made of
glass, can be cast directly into silver and gold jewelry, making
jewelry production by machine "super cheap". It's a great idea as a
manufacturer and cuts finish time to almost nothing by comparison.
(Hand cutting and setting individual stones for inlay is quite time
consuming and requires great care & skill in order to be done
correctly.) BTW, touch an opal with over 200 degrees of
temperature and you will likely destroy it - we'll have more on that
later on our "Opal Care" page.
If you are looking for a pretty
piece of jewelry, no problem - make your selection from the myriad
of these inexpensive products and enjoy. Just don't say it's an
opal... And don't let the seller tell you it is, either. You WILL
NOT find synthetic opal, simulants, fakes, etc. for sale on THIS
SITE. PERIOD.
If you want to have a real opal,
something unique -- the ONLY ONE in the
WORLD like it... then you should read on a bit
more.
We inventory ONLY
real/authentic/natural opal. Natural opal is divided into an array
of types of opal and a few types of physical construction for
"assembled" stones (our assembled stones are made from natural
opals). More on that in a bit.
TYPES OF
OPAL:
Black Opal, White Opal, Milky
Opal, Crystal Opal, Seam Opal, Jelly Opal, Contraluz Opal, Potch,
Boulder Opal, Koroit, Yowah, Mintabie, Lightning Ridge, Solid Opal,
Opal Doublets, Opal Triplets, and the list goes on...
Whew! With a list
like that being only the beginning, how does one know what to get?
Well, lets start with mining.
In the rough, opal may be found
in thin fissures and cracks in a "parent" rock.
While found in fissures,
beds and cracks, there are a variety of replaced organic materials
such as opalized wood, shells and even compledinosaurs!
Most often in
Queensland, Australia opal is found in ironstone but it
can also be found in sandstone. In sandstone it may be found in
conjunction with the sandstone, as if it is "soaked" into the
sandstone. Ocassionally, it is found in thicker deposits called
seams or bars.
HOW TO JUDGE AN OPAL:
Determination of the type and
subsequent valuation of an opal relies on: Body Color, Brightness,
Fire Color, Fire Pattern, Carat Weight, Shape, Cut &
Inclusions. The locale that the rough material was mined may also
add, or detract, from the value.
BODY
COLOR:
Body Color
refers to the base color or background color of the stone.
Black is a body color, as is White, Milky, Jelly and Crystal (or
clear) opal. If you were looking at a group of stones and all were
the same in every respect but body color, the ones tht would "jump
out" at you would be first, the BLACK, then the CRYSTAL. Crystal
opal is completely transparent - you can read text through it - and
has nothing to diffuse the color of the stone. The most spectacular
opals are BLACK. Top-quality Black opals are a layer of bright
Crystal opal on a black body color (black common opal potch). The
black ensures that no light escapes the stone except that portion
returned back to you to see. In other words, ambient light really
doesn't affect it. If there is enough light to see the stone, it is
going to be beautiful. The more light the more beautiful. The
"black" is actually "common" opal Potch. Potch is still
opal but does not have the silica spheres aligned in a manner
that light is returned back to you. Instead, potch is comprised of
mismatched sizes of silica spheres in random patterns. Main colors
are black, grey, white & brown. Transparent crystal
without fire is often faceted, especially when it is orange to
red in body color and from Mexico and is referred to as "Fire Opal".
Shown below are stones with body
color of crystal (over a partly black background to show
transparency), semi-crystal, milky, light gray, dark gray and
black.

Stones body color is further
refined by an "N-scale" (AGIA Body Tone Scale) going from N1~N4
(BLACK Opal) to N5~N6 (DARK Opal) to N7~N9 (LIGHT Opal).

BRIGHTNESS:
Brightness
relates to the amont of light refracted or reflected back
to you from the stone by a light source. The best light source is
unquestionably the Sun. When possible, we take photos in
natural sunlight at around 11AM to 2PM. Why so pickey? This
time of day provides the best light temperature (@5500~6500
Kelvin) & the best color reproduction. It is, in
fact, the only way to properly judge an opal. A brightness
scale was, if not pioneered by, at least published and more widely
distributed by Paul Downing. The "Brightness Scale" is made up of 5
levels of brightness. The levels could be best described in words as
"Oh, that's an opal?" to "Holy cow! It's blinding me!!" Seriously, a
level 5 stone viewed in sunlight can actually damage your eyes if
you look at it too long!
The concept of the scale is based
upon 3 stones of "known" value. If you have a level "2" brightness
stone, a level "3" and a level "4"; you then know which of the five
levels the stone in question is. How? If it is less bright than the
level 2 or more bright than the level 4, or between two of the other
levels, it makes it easy to decide! Shown below are some examples.
Don't use this as a scale because depending upon the brightness of
the monitor, the color settings, etc. it will look different. Below
are stones in levels 2, 3 & 4 simply as a
guideline/example.

FIRE
COLOR:
Fire color may be
seen in ANY color of the rainbow. Yes, really. Although the
bulk of what people consider to be "opal" is white or milky base
material with multicolour pinfire, that is only a PORTION of what is
available in opal.
Below are some examples of
different fire colors.

FIRE
PATTERN:
Fire Pattern
is a HUGE area that has filled many books. Here we will
review some of the main patterns. Note: a single opal may exhibit
one, several, or many different patters.
Harlequin:
Harlequin pattern is
characterized by large blocks of color. The most prized harlequin
has the appearance of a "court clown's" braided silk, with a
cross-hatch woven appearance that may even appear to be tucked at
the edge of each color! Subcategories: Floral, Flagstone, Square,
Hexagonal & Cloverleaf.
Chinese Writing:
Chinese Writing pattern opals
have differing colors of "slashes" that have an appearance similar
to Chinese text or calligraphy.
Mackerel Sky:
A Mackerel Sky pattern has the
appearance of, well, the side of a mackerel!
Moss:
Moss pattern has the appearance
of a very irregular "mossy" pattern.
Rolling Flash:
Rolling Flash is a pattern that
"rolls" across the stone as it is rotated. this is different thank a
"directional" stone, which may only show color from a single
angle.
CARAT
WEIGHT:
Carat* weight is fairly
straightforward.
- 1 carat = 3086 TROY grains.
- 1 carat = 20 grains
- 1 carat = 100
points
Rough opal is sold by carat, gram
or TROY ounce in the trade. There are 12 TROY ounces to a TROY
pound. A TROY ounce is 1.0972 AVOIR ounces.
Depending upon the rough and the
person cutting it, an ounce of opal my yield as much as 60% of
finished weight in gems (rare) or as little as 1%.
Normally yield is between 50% and 25%. Shape of the rough,
amount of color, health (whether there are a lot of cracks) and
inclusions all are factors.
* Please note that CARAT differs
from KARAT. KARAT is used as a purity measurement of 1/24th of a
whole for gold. eg: 18K gold is 18/24ths pure gold or 75%
gold and 25% alloy. 14KY gold is 14/24ths or 58.3% pure
gold.
SHAPE:
The most common shape for
opal is the oval. Opals are also cut into round, pear,
marquise/navette, triangle, square, rectangle, cushion, variants of
the preceeding or freeform shapes. Opal is sometimes cut and
inlaid into other opal, other stones or metal.
CUT:
Quality of the Cut
is very important. The direction or facing up if the stone
that is done when in the opal is in rough form has a direct impact
upon the way a piece looks when finished. Often a piece of opal
rough will be brighter from one side than the other. Sometimes a
color bar looks great from the edge but poor (by comparison) on the
"front". These are all considerations when cutting opal.
Unfortunately, one frequently
does not know until one starts cutting. One of the best ways to
minimize waste is to buy a large parcel, then experiment with some
of the smaller pieces. If the material all came from the same find
or seam, it may have similar properties throughout the material.
Once the stone is "faced up" properly, meaning that the brightest
color is toward the face of the stone, then shaping can begin.
There are two types of shaping to
discuss here. First is the outside/perimeter shape of the stone as
discussed above. Then there is the cross-sectional shape of the
stone. Make a stone too flat and thin and it may break easy. Make it
too thick and it may be almost impossible to set properly. somewhere
in the middle is best. Proper proportions come through
experience.
Often black opal is cut with a
"fat belly" - meaning that a lot of extra material is left on the
bottom that may (or may not) be opal potch. This is done to increase
carat weight and increases the value of the stone (because it is
sold by the carat). An arguement can certainly be made that the
rounded belly positively impacts the strength of the finished stone.
When cutting calibrated stones such as ovals, we usually cut our
stones in a more "commercial" cut so that they will fit better
in standard industry settings.
COLOR
SATURATION:
Color Saturation
is a relatively new term. It is the amount of color that
one sees in comparison to the background/body or inclusions. The
higher the saturation, the more impressive the stone, and the higher
the price.
CONSTRUCTED
STONES:
Constructed
or assembled stones are generally slices of gem material
that are attached to non-gem material with the use of industrial
adhesives such as epoxy. These constructed or assembled stones are
usually made with a thin slice of gem opal, coupled with other
transparent or opaque materials. In opaque materials, a layer of
black lab glass, obsidian, black jade, basalt, black opal potch
(non-precious opaque opal, black in color), or in some cases even
plastic has been used. Occasionally a layer of black paint may
be used as a coloring, or a manufacturer may add opaque black
agents to the epoxy mix to create a black layer behind the slice of
gem opal.
Why the fuss? Why bother to
go through so much work?
The key intent is usually to
simulate or imitate the appearance of high-quality black opal. This
effort is very worthwhile. The end result may be from thin layers of
opal that, while beautiful, could not have been used any other way,
but are able to be used in this manufacturing process. Most often
though, very high quality opal is sliced into thin sections by a saw
(photos coming). These slices may be so thin as to get 100 slices
per inch of opal.
You may be thinking... "What
a ripoff!?!"...
Not so. The quality of the opal
used has a direct result upon the final appearance of the material.
It is really quite simple - use $1 per gram material to produce
doublets or triplets and you get cheap, ugly finished pieces. Use
$100 per carat material and you may get some of the most beautiful
and durable pieces possible - although that is not always the
case...
Cutting gem opal into thin slices
has its own challenges...
Opal has no crystalline
structure. Therefore, unlike quartz, diamond and many other precious
stones, it has inherent weaknesses. Any sort of interruption - power
outage, equipment stall, failure of a part... can cause the complete
and utter destruction (think crushed glass...) of thousands of
dollars of opal rough. In less time than it takes to say... "OH,
NO!!" Even in Australian dollars, that is a lot of
money...
More information will be added
later, along with photos of the process, but here are the main
points you need to know:
- Cutting the slices of opal
will take between six and nine hours, depending upon the material.
- Blades are only able to be
used once (yes, really - once.) (remember - 100 blades per
inch...)
- VERY fragile
material...
You are probably getting the
picture... This is no easy task.
DOUBLETS:
Doublets are constructed of two
layers. Most frequently, a layer of gem opal and a layer of another
material such as opal potch or ironstone as a backing material.
Doublets may be constructed of a
layer of gem opal and a layer of quartz, spinel, glass or other
transparent material on the top; or may be made from two layers of
gem opal - such as for a two-sided stone for a pendant. All are
doublets. Doublet refers only to construction using two separate
layers.
Below are doublets of various
costruction:
Thin Gem or
Noble Opal, backed with ironstone.
Thick Gem Opal
backed with lower-quality gem opal, black-colored epoxy between
layers.

Crystal Clamshell,
backed with ironstone.

Thick Gem Opal
backed with natural black non-precious (potch or common)
opal.

The most commonly available form
of doublets are thin slices of precious or gem opal are attached to
a backing. They may be sold as boulder opals or even BLACK opals by
unscrupulous sellers. Doublets require extra care when setting and
are easy to chip because the thin top layer of opal material may
fracture easily. It is very difficult to set an opal doublet in a
standard prong-type setting without damaging it. It is often more
succeptable to damage while wearing because of the thin, exposed
layer of opal.
If you cannot set them in
prong settings, what good are they?
Doublets look beautiful in bezel
settings and are very durable if resonable care is taken. (Note:
Bezel settings surround the entire edge of the stone with a solid,
very thin layer of gold or silver.) They have the appearance of a
solid stone, yet are very inexpensive. Doublets will generally sell
for between one-tweantyth to one-one hundredth of what a similar
solid stone would sell for -- a BIG difference in price.
To conclude, opal doublets,
properly set in a bezel, offer beautiful jewelry with the appearance
of black opal that may be hundreds or even thousands of dollars per
carat quality at "bargain-basement" prices! A very economical
alternative!
TRIPLETS:
A triplet is constructed of three
layers. These layers may include one or more layers of gem opal.
Most frequently, opal triplets are constructed of a backing material
such as black, gray or white opal potch, a thin slice of gem opal
material and a top layer of clear material such as spinel, quartz or
glass. Another form of triplet may be constructed of two layers of
opal separated by black opal potch.
More to come...
About different types of
opal, opal fields, etc.:
Black Opal is found throughout
the world but the main supply is generally agreed to be the
Lightning Ridge fields in Australia. There is also material
found in the Mintabie field that is white to crystal material on
black potch. Black opal is the most rare type of opal and typically
sells for more per carat than diamonds! (to deBeers dismay, I'm
sure...)
More to come...
Contributions: This information
was written by my own hand, however, I have to give credit to the
many great authors (Paul Downing and Barrie O'Leary for example)
that contributed through the years to my education as well as
personal friends in the opal industry that have taken time to help
me. I have read hundreds (thousands?) of articles and trade briefs
on opal and the gemstone industry as well, and it would be
impossible for me to list them all here. Also, I am not above being
corrected... If you feel I have made an error somewhere, please
contact me so we can get it (or you) corrected!
: )
This information (C) (R)2008 House of Opal &
opalhouse.com.
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